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LIVING WITHOUT DIANA Essay: A year has passed since the people's princess was taken from them. Britain ponders the mourning, the anger, the media event. What did it all mean?

THE BALTIMORE SUN

LONDON - The visitors all want to know: What was it like here after Princess Diana died?

You tell them of the stifled sobs and the stunned crowds, the cards and the candles, and the day that mourners nearly turned into a mob, venting anger at a monarchy suddenly fragile and distant.

But finally, you steer a clearer course, leading visitors by the hand, walking 50 yards or so down a gentle slope from the gilded gates that frame a grand entry at Kensington Palace. You turn around, look at the palace gates, and say, "The flowers came out to here.

"And the pile was three feet deep."

For Britain, memories of a nation's grief are now mixed with cool-headed analysis, as the first anniversary of the death of Diana, Princess of Wales, approaches.

The original flowers of mourning and notes of remembrance have long since been cleared from the palace gates that look on to an extraordinary park, Kensington Gardens. The lawns that were turned to dirt from the grieving crowds have been replanted. The country has sought to move on.

Yet in many ways, Diana seems eerily alive.

Her wedding dress cloaks a tailor's dummy at Althorp, her ancestral home. Her face is on stamps. Her eyes stare from magazine covers and newspapers. And her name is evoked for a string of causes and by a range of people promoting her memory with a simple phrase, "Diana, would have wanted this ..."

"She hasn't been allowed to die," says royal historian Hugo Vickers.

Diana's death in a car accident Aug. 31, 1997, in Paris traumatized Britain. She was killed with her companion, Dodi Fayed, and their driver, Henri Paul. She died in the early-morning hours as a slumbering nation awoke to a nightmare.

When Britons turned on their radios and television sets that Sunday morning and heard the familiar strains of "God Save the Queen," they instinctively knew there had been a death in the royal family.

To hear that it was Diana, 36, ex-wife of Prince Charles, mother of Princes William and Harry, perhaps the most photographed woman on the planet, was like getting a punch in the stomach.

Most never met Diana. What they knew of her was filtered through tabloid newspapers, glossy magazines and television interviews.

And yet they grieved, for a princess and for themselves.

"What Diana left us with is a profound sense of our own untidy, embarrassing, contradictory, capricious humanity -- a sense that is our weaknesses that make us precious, not our strength," pundit A.A. Gill wrote last September in the Sunday Times of London.

"Why did we all go to Kensington Gardens?" he added. "Perhaps because it wasn't what was expected of us."

Now comes the revisionism.

'Grief fascism'

Diana's death created an academic niche, as professors, commentators and writers dissected her life and times point by point, with papers prepared on such subjects as Diana as feminist icon and Diana and the nation.

Others focused on Britain's public outpouring of grief. People not noted for wearing their emotions on their sleeves, wept openly. In retrospect, some have grown embarrassed by the public reaction, calling it hysteria. Others have sought to point out that not everyone was swept up by the emotion of Diana's death.

"The Princess's People," a British Broadcasting Corp. documentary that will be aired in Britain on the anniversary of the funeral, Sept. 6, depicts a nation divided by grief. Twelve crews assembled 60 hours of film, showing people as they were: weeping, indifferent, even hostile as the funeral played out on the streets, in Westminster Abbey, and finally, on the television sets of the nation.

"I really felt grief fascism," says Colin Luke, the documentary's director. "This film has made me very suspicious of easy generalizations that the press leap at, in particular, the one that the nation was united in grief. It was a remarkable national event experienced by lots of people."

But did Diana's death change anything, or was it merely global soap opera?

The question is still being answered. She didn't hold political office. And she didn't have a job as such. Yet just as the clothes she wore somehow mattered, so did the speeches she gave and the causes she espoused.

In some respects, her death served as a milestone, because it coincided with the reign of British Prime Minister Tony Blair, who is seeking to fundamentally change the way the country is governed. In Blair's Britain, Wales, Scotland and Northern Ireland will gain local governments. Power will be dispersed from Parliament in London. The monarchy will remain intact, a symbol used to unite an increasingly disparate Great Britain.

It was Diana, the royal rebel, who threatened the monarchy most, who publicly aired her doubts about her ex-husband.

"Before her death, I thought she was destroying the monarchy," says Harold Brooks-Baker, who oversees Burke's Peerage. "In her death, she seems to have saved the monarchy."

Image repair

Queen Elizabeth II, apparently stung by criticism that she was too far removed from her subjects in the aftermath of Diana's death, has moved to bolster her image as well as her ties to the masses. It's all symbolism, of course, but when the queen recently ventured into a McDonald's for the first time, she was apparently trying to show that she was just like any other grandmother out for a hamburger, although, she skipped the Big Mac and fries.

"The queen herself said there were lessons to be learned after the death of the princess of Wales. Changes do occur, but slowly," says a spokesman for Buckingham Palace, the queen's principal residence.

Public regard for Prince Charles, which reached a nadir after Diana's death, has improved dramatically according to polls. People seem to be responding to a kinder, warmer Charles. He was pictured kissing his brother Andrew and his son William. He made another stab at providing constructive criticism to modern architecture. He continued to raise money for his trust that provides opportunities for young people.

Diana's sons, William, 16, and Harry, 13, have also moved into the spotlight. William has given his first carefully scripted interview. He and his brother, accompanied by their father, made a rousing trip to Canada, where they were greeted by packs of screaming teen-aged girls.

But publicity can boomerang. The British press, which vowed to respect the boys' privacy in the wake of the awful intrusions that Diana endured for years, has served up sour tidbits. One paper disclosed the details the boys had worked on for Charles' surprise 50th birthday party. Another showed Harry skidding down a dam wall without helmet or extra safety harness.

"So much for the caring post-Diana Britain: We're still rubbernecks, we're still vultures," columnist Libby Purves wrote recently in The Times of London.

The press will have to take care. A book of remembrance published here closes with all the pledges the press made to shield Diana's heirs. Break those pledges too often, and the public could turn against the tabloids.

Still beloved

L But the public doesn't appear bent on turning against Diana.

In death, she spawned an industry. Souvenir stores are crammed with Diana plates and saucers, pictures and books.

The Diana, Princess of Wales, Memorial Fund has raised more than $110 million, although only $21 million has so far been distributed to the charities she championed. The fund is also seeking to trademark Diana's likeness.

"There is this huge public appetite with anything connected with the princess," says Vanessa Corringham, the fund's spokeswoman. "There's not a day that goes by when a picture of the princess isn't in the newspapers. We would hope that things will settle down, but I don't hold out much hope."

The Diana industry is likely to churn on for years.

In the meantime, Britain is still trying to come to terms with her legacy and trying to create a suitable memorial.

There are plans to sculpt a memorial garden to Diana at Kensington Gardens. Local residents are upset, claiming the memorial will bring in thousands of unwanted tourists.

Diana's brother, Charles the Ninth Earl Spencer, has other ideas. At the family's sprawling Althorp estate, he has transformed a stable into a Diana museum, filled with frocks and jewels, home movies and public tributes.

Diana's shrine is a temple overlooking her burial place on a small island set in a pond. It's there where visitors this summer laid flowers and paid respects,and yes, even wept for the woman who has been called "the people's princess."

Pub Date: 8/26/98

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