I've managed to hunt down a lot of these charts. I'm always asked why they're not played more often. One reason I do these concerts is that you're not hearing them anywhere else. [The arrangements of] "I Get Along Without You Very Well," "Deep in a Dream," "We'll Be Together Again" — these are works of art. It's a sound you don't know you're missing until you hear it. It's such a unique blend, a very rare sound, so specific to that time.