Midnight Sun writer Patrick Gavin saw David Gray last night at the Lyric Opera House. Here is his review:
According to the latest census data, one-third of all white 30-somethings within city limits were at the Lyric Opera House for David Gray last night. If you think that's a bit high, it's probably because you haven't mailed your Census 2010 form back yet, you stiff.
I bring up the audience demographic not to mock (that much) but for a practical reason. In Sam's interview with Mr. Gray, the English singer/songwriter renowned for infusing his folk rock with electronic sampling described the perfect show as one in which audiences energetically join in for the anthemic songs and reverently ponder the delicate, introspective ones.
Of course, when you have a show at the Lyric, with its plush red seats that just beg to be parked in all night, you find yourself reverently pondering those melodic, anthemic numbers as well.
What choice do you have? Few can resist the appeal of a comfy seat at a concert or sporting event ...
For those who were compelled to rise up and boogie during Mr. Gray's set, a hushed whisper from an uptight boyfriend usually stymied such a display of unbridled enthusiasm. That is, until Mr. Gray encouraged all to stand for the fourth and final encore song, "Please Forgive Me," a closer on par with Mariano Rivera.
Musings on the "should-I-twist-and-shout-or-kick-back-and-nod" nature of the venue and crowd aside, let it be known that Mr. Gray was in top form. While favoring his latest, "Draw the Line," Mr. Gray cherry picked tunes from no less than seven albums during his near 19-song set. With so many albums and sellout tours, it's a wonder this was Mr. Gray's first stop in Charm City.
Mr. Gray's five-piece band's take on "Babylon," still his most enduring hit 11 years after its release, was indicative of the performance as a whole. He opted to eliminate most traces of his signature electronica influences in favor of straight acoustic rhythm guitar and electric lead guitar.