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Toronto Film Review: 'Mandela: Long Walk to Freedom'
Having taken nearly as long to reach the screen as its subject spent imprisoned by South Africa's brutal apartheid government, producer Anant Singh's film of Nelson Mandela's autobiography finally arrives bearing the slightly musty odor of a 1980s Richard Attenborough superproduction: stolidly reverential, shackled to the most dire conventions of the mythmaking biopic, and very much a white man's view of the "dark" continent. Making "Lee Daniels' The Butler" seem positively avant-garde by comparison, director Justin Chadwick ("The Other Boleyn Girl") and screenwriter William Nicholson's CliffsNotes version of Mandela's nearly 700-page memoir never opts for a light touch when a sledgehammer will do, slathered in golden sunsets, inspirational platitudes and John Barry-esque strings that will doubtless make a certain contingent of awards voters sit up and beg for more. But for all its failings, there is one thing about "Long Walk to Freedom" that can't be denied: Idris Elba gives a towering performance, a Mandela for the ages.
September 9, 2013