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Let the Right One In (movie)

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Top Let the Right One In (movie) Articles

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  • Formula One driver Ayrton Senna is the high priest of speed in 'Senna'

    Formula One driver Ayrton Senna is the high priest of speed in 'Senna'
    This weekend, while drivers wheel around the Inner Harbor for the inaugural Baltimore Grand Prix, moviegoers a few blocks from downtown will be watching the story of a brave, imaginative man who was the Muhammad Ali or Michael Jordan of auto racing....
  • Baltimore's fall movie season comes on strong in October

    Baltimore's fall movie season comes on strong in October
    From the Michael Sragow Gets Reel blog: The dailies and newsweeklies and entertainment shows have already set off their starters' pistols, but let's get serious: in Baltimore, as in most American cities, this year October 1 marks the beginning of the...
  • Filmmaker's choice

    Filmmaker's choice
    The holiday movie season is a crowded beast. So we asked filmmaker Hilton Carter, a MICA grad who now lives in Los Angeles, to give us his picks for what he can't wait to see. Carter, 31, whose dark short film "Moth" aired earlier this year on HBO, cut...
  • For 'Planet of the Apes' ' Matt Reeves, several boyhood connections

    For 'Planet of the Apes' ' Matt Reeves, several boyhood connections
    When he was 13, Matt Reeves began directing homemade movies with a friend. The Los Angeles teenagers would collaborate on homages to the 1970s genre cinema all around them, making shorts that for Reeves included such childhood grandiosities as...
  • Review: 'Dawn of the Planet of the Apes' ★★★

    Review: 'Dawn of the Planet of the Apes' ★★&#9733
    Three summers ago "Rise of the Planet of the Apes" proved it's possible to reboot a franchise while avoiding that sinking feeling of movie capitalism at its dumbest. Now, in a disappointing July dominated with a shrug by "Transformers: Age of...
  • 'The Quick' taps a tired vampire vein in gothic lit

    'The Quick' taps a tired vampire vein in gothic lit
    Vampires have become so prevalent in fiction and film that it's increasingly difficult to wring any new changes on such a hoary supernatural trope. A few recent writers have successfully risen to the challenge — among them the Swedish novelist...
  • Letter from London: Begin your theater summer with a LIFT

    Letter from London: Begin your theater summer with a LIFT
    Come August, the London theatre scene often shivers in the shadow of that north-of-the-border knees-up gargantuan, the Edinburgh Festival. But before the annual exodus begins, the capital anticipates the Scots shindig with its own London International...
  • Tribeca Film Review: 'Broken Hill Blues'

    The economical/ecological paradox at the heart of tyro helmer Sofia Norlin's impressive "Broken Hill Blues" could not be clearer: The northernmost Swedish town of Kiruna fiscally depends on the iron-ore mine that is dangerously undercutting the town's...
  • 'Let the Right One In' Director Boards Jo Nesbo's 'The Snowman' (EXCLUSIVE)

    "Tinker Tailor Soldier Spy" helmer Tomas Alfredson will direct an adaptation of the Jo Nesbo crime novel "The Snowman" for Working Title Films and Universal. Alfredson will be working on a draft of the screenplay with writer Soren Sveistrup. The film...
  • Producer Gudrun Giddings is Hollywood's Scandinavia Whisperer

    Call Gudrun Giddings the Scandinavia film whisperer. Ever since "Let the Right One In" and "The Girl With the Dragon Tattoo" delivered box office that headed straight north, Hollywood has been mining Nordic noir that's fresh, dark and edgy from Norway,...
  • Director Jim Mickle sinks teeth into 'We Are What We Are' remake

     Director Jim Mickle sinks teeth into 'We Are What We Are' remake
    The new film "We Are What We Are" is a horror-drama hybrid, a suspenseful tale of a tight-knit family struggling to hold itself together in the face of changing times and the dwindling of long-held traditions. Also, they eat people. Directed by Jim...
  • London Legit Review: 'Let The Right One In'

    One of the most resonant shocks of the powerful stage version of cult Swedish movie "Let the Right One In" is one of the simplest: the bringing up of the house-lights at the start of the intermission. As the spell is (temporarily) broken, audiences...