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Crazy Horse (movie)

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  • Cannes Film Review: 'National Gallery'

    It was only a matter of time before Frederick Wiseman cast his immersive gaze on a museum, and "National Gallery" has everything the vet helmer needs in an institution where public perception is largely restricted to public spaces. Turning his camera on works of art and the people who steer the distinguished London complex, the grand old man of hands-off documentaries studies paintings and bears witness to staff meetings, curatorial discussions and gallery talks. Hardly a marathon by Wiseman standards, "National Gallery" may seem repetitive for many, though art lovers and Wiseman fans should keep docu houses and especially ancillary moderately busy.
  • Cannes Q&A: Frederick Wiseman

    With "National Gallery," documentary helmer Frederick Wiseman expands his focus from chronicling the day-to-day of U.S. institutions to include the famous London art museum. It is his third film to play in Cannes, after "The Last Letter" and "Boxing Gym."...

    REVIEW: 'At Berkeley' ★★★ 1/2

    REVIEW: 'At Berkeley' ★★&#9733 1/2
    In the fall of 2010, documentary filmmaker Frederick Wiseman went back to school. He and a two-person crew embarked on a three-month project, auditing with their cameras a semester or so in the life of University of California at Berkeley. The result...

    Venice Film Review: 'At Berkeley'

    On the surface, "At Berkeley" hardly breaks new ground: Frederick Wiseman's 38th institution-centered documentary presents yet another unblinking, very long-haul study of a hydra-headed organization, in this case the eponymous U. of California campus,...

    'Crazy Horse': Legendary documentarian lays bare a cabaret's appeal ✭✭✭

    'Crazy Horse': Legendary documentarian lays bare a cabaret's appeal ✭✭✭
    Coming after the great "Boxing Gym" (2010), which revealed a universe of sweaty truth inside an Austin, Texas, punching-bag emporium, documentary filmmaker Frederick Wiseman's"Crazy Horse" settles for a bit less. The subject is smaller and, weirdly,...