In fact, not only will the annual July trade show lack Jobs, it won't even have the same name. IDG World Expo, which organizes the event, has rechristened it "Create," while recalibrating the show to appeal specifically to such creative professionals as Web page designers and graphic artists.
As distressing as this news may come to frequent attendees of the July Macworld show, particularly those who aren't creative professionals, a close look at Apple's recent relationship with the trade shows indicates the change should come as no surprise.
When IDG said in October that it planned to move the New York show back to Boston, where it originated in 1984, Apple said it would not participate because it "disagreed" with the move.
A public spat followed, and word trickled out that Apple preferred New York because of the large number of creative professionals there, as well as because of the city's role as a global media center.
Despite months of negotiations with IDG, Apple refused to relent on the Boston decision. The company also delayed committing to this year's New York show, and in the end declined to send Jobs. Apple's behavior no doubt played a part in IDG's decision to revamp the East Coast show, held at the Jacob K. Javits Convention Center.
Apple also caused, intentionally or not, the collapse of IDG's Macworld Tokyo show, usually held each March.
After the company told IDG it would not even have a booth there, much less send Jobs for a keynote, other major exhibitors -- Adobe, Macromedia and Microsoft Corp. among them -- pulled out, too. IDG canceled the show in December.
Apple did participate, however, in the fourth major Mac show, the annual Apple Expo Paris, last September. Apple, not IDG, produces that show, however, which doesn't carry any great expectations of major product announcements.
Since the brouhaha with IDG last year, some observers have suggested that Apple has been re-evaluating its participation in Macworlds -- particularly the East Coast installment -- because Jobs has tired of the pressure of coming up with enough snazzy new products to sufficiently enthrall U.S. Mac fans twice a year.
"Apple wants to get out of having that twice-yearly anchor for doing product announcements that it has gotten locked into," said Michael Gartenberg, a research director with Jupiter Research Inc. of Darien, Conn.
Gartenberg said Apple has "outgrown the dedicated conference" for Mac users and needs to broaden its appeal by increasing its participation in other general PC and technology trade shows.
"The people who buy will continue to do so," Gartenberg said. "They need to go beyond the Mac faithful."
Tim Bajarin, president of Creative Strategies Inc., a research firm based in Campbell, Calif., said he thinks Jobs "has been shifting his thinking" regarding the kinds of major product announcements typical of Macworld shows.
Bajarin noted that the announcements at the last few New York shows have been more mundane -- upgrades to existing models, for instance, as opposed to the dramatically new flat-screen iMac unveiled at the San Francisco show in 2002 or the 17-inch PowerBook G4 introduced this year.
In other words, Apple gradually has made the January show the de facto venue for its major new-product announcements. If, as it appears, Apple would rather not make major announcements in July, a Jobs keynote, then, serves no purpose.
Tying major product announcements to the biannual Macworld schedule also has created a host of marketing headaches over the years.
For example, knowledgeable Mac users historically have timed their buying around the major shows. This behavior slows sales in the weeks before a show and often is followed by heavy demand for freshly announced products after the show. The slow-moving older models and backlogs of unfilled orders for the newer ones wreak havoc with Apple's ability to manage inventory.