We all know what happens when great composers, writers and artists die: Their work lives on. But what about groundbreaking choreographers — say, Martha Graham, José Limon, Merce Cunningham, Antony Tudor, Alvin Ailey,George Balanchine — those creators whose inspiration floats on a flashing moment, an instant image, a looming structure, perhaps never to be recaptured?
A question of survival follows. Because, unlike music (written in scores), art (hanging on museum walls) and books (housed in libraries), dance is lost without person-to-person transmission from the designate to the next-generation dancer who is learning a part.
Fortunately, though, there are keepers of the flame who can pass on those masterworks. John Pennington and British-born Yolande Yorke-Edgell are such guardians. Alums of the Bella Lewitzky Dance Company, they've staged a number of the modern dance choreographer's classics and are joining to present "Across Connections," an homage to their beloved mentor.
-- Donna Perlmutter, Los Angeles TimesCopyright © 2015, The Baltimore Sun