A bittersweet farewell to Frank M. Reid at Bethel AME
The Baltimore Sun

Collateral

9. Collateral (2004) Michael Mann's cameras, and the director's famously sleek shooting style, could probably make any city look good. . Here he transforms Los Angeles into a beautiful and otherworldly place, shot mostly at night in a color treatment very close to black and white, which includes both the sophisticated and the rustic -- the shimmering skin of Disney Hall as well as a sphinx-like coyote crossing the street. READ MORE
Frank Connor / DreamWorks Pictures
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