Collateral

9. <b>Collateral</b> (2004)<br>
<br>
 <a class="taxInlineTagLink" id="PECLB003111" title="Michael Mann" href="/topic/entertainment/michael-mann-PECLB003111.topic">Michael Mann</a>'s cameras, and the director's famously sleek shooting style, could probably make any city look good. . Here he transforms Los Angeles into a beautiful and otherworldly place, shot mostly at night in a color treatment very close to black and white, which includes both the sophisticated and the rustic -- the shimmering skin of Disney Hall as well as a sphinx-like coyote crossing the street. <a href="http://www.latimes.com/entertainment/news/movies/la-ca-25films31-2008aug31,0,70218.htmlstory#collateral">READ MORE</a>
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( Frank Connor / DreamWorks Pictures )

9. Collateral (2004)

Michael Mann's cameras, and the director's famously sleek shooting style, could probably make any city look good. . Here he transforms Los Angeles into a beautiful and otherworldly place, shot mostly at night in a color treatment very close to black and white, which includes both the sophisticated and the rustic -- the shimmering skin of Disney Hall as well as a sphinx-like coyote crossing the street. READ MORE

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