Annapolis couple's collection reveals art of marriage
Tom and Kitty Stoner combine their love of sculpture and drawing into fabulous display of 20th-century art and beyond
Collectors Kitty and Tom Stoner believe that they are just the trustees for art that belongs to the public and to the future. They are looking for ways to share their new digital/video art collection. (Algerina Perna, Baltimore Sun Photo / June 25, 2012)
"I remember how easy it was to decide who came on the list," recalls the Annapolis businessman and philanthropist, "but how hard it was to decide who went off the list. That was the part of the process that fascinated me."
At the Severn River home of Stoner and his wife, Kitty, "Top 40" takes on a new meaning.
Displayed in a light-filled and airy space renovated to resemble a Park Avenue apartment are the works of 40 sculptors the couple believe best represent the range of the 20th century. And the pieces are paired with the drawings the artists made first.
At its peak, the collection numbered more than 60. But the Stoners took up the challenge of winnowing it to 40, deciding, in the exercise that had fascinated Tom Stoner, what would come off the list.
"Rodin was the springboard," said Tom Stoner. "From there, we wanted to illustrate the evolution of 20th-century sculpture."
It now includes Jean Arp, Alexander Calder, Barbara Hepworth, Anish Kapoor, Sol LeWitt, Jean Dubuffet, Henry Moore and Pablo Picasso, to name but a few.
"We still tweak the collection a little here and there. I think most everyone would agree with 30 of the 40. Five or 10 would be in dispute," said Tom Stoner.
"But this is about as much fun as anyone is entitled to have."
What is so delightful about this art collection is what it says about the Stoners' marriage.
Kitty Stoner loves sculpture: its texture, its three dimensions and its relationship to the space it inhabits.
Tom Stoner, whose favorite childhood memories are of the art classes his father enrolled him in, loves drawings and paintings.
When they first relocated to Annapolis from Iowa, their home was large enough to accommodate only his passion. When they moved to this home in 1983, with its open floor plan, there was room for what Kitty loved, too.
But how to blend the two disciplines? How to create a collection, something that was cohesive and made a statement or covered an arc?
At a New York lunch with art expert Barbara Guggenheim in 1986, they presented their dilemma and asked for her help in resolving it.
Why not, she suggested, collect the drawing the sculptor made before taking up his tools and pair it with the piece that emerged from the stone, the wood, or the metal?
Kitty Stoner would be able to see — and touch — the work of the artists she loved and Tom Stoner would see that same work in a medium he enjoys.
"The drawings had to be good in their own right," said Tom Stoner. And because an artist might create several versions from a drawing and take much liberty in re-creating it, the drawing also had to be closely related to the final piece of sculpture.
That's the fun of this collection. You see the sculpture and, on the wall near it, you see the artist's first imaginings. It is almost like seeing a creative mind at work, a kind of time-lapse photography from inspiration to completion.