Vivid images and words on Marilyn Monroe
Bert Stern's 1962 photos taken weeks before her death and Norman Mailer's 1973 essay on the actress are edited together in a glossy new edition by Lawrence Schiller.
Mailer, Monroe and Stern have been brought together by producer, director and screenwriter Lawrence Schiller in 278 grand, glossy pages for "Norman Mailer, Bert Stern: Marilyn Monroe" (published by Taschen, a limited edition signed by Stern starts at $1,000).
"I told him we could illustrate Mailer's text in a very unique way and bring out something in Bert's pictures that had been there before but not showcased properly," said Schiller at the book's lavish launch party last week at the recently renovated Hotel Bel-Air, where guests included Quincy Jones, Chris Tucker, Julie Newmar and Penelope Ann Miller.
"It feels weird," said Stern, 82, on his return to the lush, hallowed grounds. "The ghost of Marilyn coming back 50 years later." His last visit was in 2008 to photograph another troubled actress, Lindsay Lohan, for New York magazine. They re-created several of Monroe's nearly nude photos from that famous portrait sitting.
"I didn't want any clothes. I wanted things — jewelry, scarves, objects," said Stern of the Monroe session. As usual, she showed up three hours late but thinner then he had expected. The 36-year-old Monroe sipped on her favorite Dom Pérignon champagne, picked up a few scarves from off the bed and giddily danced around while Stern snapped away. "She was in a terrific mood, a lot of fun," Stern said. "She wanted to be in Vogue."
Stern sent that first set of provocative images to the editors, who thought her hair looked too messy and wanted more fashion shots, so Stern and Monroe met again. Marilyn dressed in more sophisticated evening wear including a black Dior gown and impersonated Jackie Kennedy in a brunet wig and pearls at one point. Jackie's hairdresser, Kenneth Battelle, even styled her hair appropriately.
"She got fed up with the dresses and wanted to go back to less things," recalled Stern, who didn't want a glitzy showbiz photo. An admirer of Edward Steichen's black and white portrait of Greta Garbo, he wanted something more intimate, that definitive, immortal picture.
"It was a once-in-a-lifetime event. I knew I'd never shoot her again."
Marilyn died while the Vogue layout was going to press. They edited out the fashion copy and ran an obituary for the September issue.
Considered one of the original "Mad Men," Stern got his start on Madison Avenue in the 1950s with his revolutionary "Driest of the Dry" campaign for Smirnoff vodka, inverting an Egyptian pyramid in a martini glass.
"I don't consider myself a photographer," he said. "I'm a designer with a camera."
When asked if any actress today could compare to Monroe, Stern immediately responded: "Naomi Watts. I thought she should've played Marilyn in that new movie. [Michelle Williams] was Marilyn-ish, but she didn't have that kind of freedom and naturalism that Marilyn had. She was a free spirit. She was full of ideas, sexy, funny and clever."
'Norman Mailer, Bert Stern: Marilyn Monroe'
By Norman Mailer and Bert Stern
Taschen, 278 pages, $1000