After more than 10 years together and 28 million albums sold worldwide, Matchbox Twenty approached its latest release as its swan song but instead discovered a new sense of unity in the studio. Rather than simply serving as a vehicle for material by frontman Rob Thomas, whose 2005 solo album " . . . Something to Be" also achieved multi-platinum success, the band collaborated fully for the first time on six new songs. This newfound solidarity came through during the band's tight, congenial performance.
The band has said the title of its latest is both a play on the Rolling Stones' "Exile on Main Street" and an affable dig at their own success. Perhaps such humor signals a desire to start digging deeper.
The moments when they strayed from their formula were the most winning. "The Difference" achieved melancholy grace with a country twang, and "So Sad So Lonely" exuded cheeky exuberance. A ferocious cover of the Beatles' "She Came in Through the Bathroom Window" and an ardent take on Cracker's alt-rock classic "Low" revealed the power this band could achieve with riskier, more ambitious material.
Seven-time Grammy-winner Morissette made her career putting it all on the line with her raw, feminist anthems and unapologetically quirky personality. Her fierce hourlong set highlighted her immense vocal range and knack for radio rock anthems with substance. Backed by a five-piece band and looking like a rock star in black vinyl pants, Morissette delivered a kinetic performance, pacing the stage and whipping her hair during the theatrical opener "Uninvited" and fierce rocker "Eight Easy Steps."
Giving a sneak peak of her upcoming album, "Flavors of Entanglement," due later this year, she played pretty rocker "Underneath" and the throbbing, almost medieval-sounding "Moratorium." The playful mood culminated in her vampy cover of the Black-Eyed Peas' "My Humps," delivered in a pink boa.
New Orleans-based alt rock quartet Mute Math made the most of its opening slot. A fiery set of taut, textured songs from the group's 2007 major-label debut showed off a knack for neatly blending rock ferocity, proggy experimentalism and a reggae style reminiscent of the Police. The memorable finale found singer-keyboardist Paul Meany doing handstands on his keyboard as the band went wild.