'Mission: Impossible — Ghost Protocol' -- 2 1/2 stars

<b>PG-13; 2:12 running time</b><br><br>
With "Mission: Impossible ¿ Ghost Protocol," director Brad Bird makes his live-action feature debut, having made a name for himself and a few hundred million for Disney/Pixar with "The Incredibles" and one of the freshest comedies of the last few years, "Ratatouille." It's obvious but probably needs restating: Live action is a different beast from animation. Audiences perceive acts of violence and outsized physical punishment differently when presented with actors getting knocked around. At the same time, a great deal of digital animation today has effectively erased the notion of stylized unreality and sensorial distance. When a mole whacks another mole with a hickory stick in "Rango," for example, the photorealistic quality of the image renders the act unfunny. It's not slapstick. It just hurts. -- Michael Phillips<br><br>Read the full <a href=http://www.chicagotribune.com/entertainment/movies/sc-mov-1213-mission-impossible-ghost-protocol-20111215,0,576654.column>"Mission Impossible: Ghost Protocol" movie review</a>

PG-13; 2:12 running time

With "Mission: Impossible ¿ Ghost Protocol," director Brad Bird makes his live-action feature debut, having made a name for himself and a few hundred million for Disney/Pixar with "The Incredibles" and one of the freshest comedies of the last few years, "Ratatouille." It's obvious but probably needs restating: Live action is a different beast from animation. Audiences perceive acts of violence and outsized physical punishment differently when presented with actors getting knocked around. At the same time, a great deal of digital animation today has effectively erased the notion of stylized unreality and sensorial distance. When a mole whacks another mole with a hickory stick in "Rango," for example, the photorealistic quality of the image renders the act unfunny. It's not slapstick. It just hurts. -- Michael Phillips

Read the full "Mission Impossible: Ghost Protocol" movie review

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