Jason, still fuming from learning at the close of Season 5 that his parents were murdered by a vampire named Warlow, jumps on the fanger hate train. Jason tells Sookie that she’s crazy for continuing to protect vampires. She’s as dead to him as they are. He storms off to hitch a ride.
Rough Night for Pam & Tara
Poor Pam is rebuffed by Eric when she gets angry that he hasn’t shared Nora’s existence with her. “Get over it and have my back, or get out of my face,” he bluntly tells her, then orders her to take Tara and go back to Fangtasia. Once there, Tara tries to comfort Pam. She reminds her that it’s them against the world now. Pam isn’t having it, and slaps her across the face. Pam breaks it, and not gently, to Tara that Tara can’t ever replace Eric: “This isn’t going to be some f---ing epic love story.”
Before they can wallow in their mutual misery, there’s banging at the door. It’s state troopers, enforcing the governor’s order to close down vampire businesses. A trooper orders Pam down onto her knees and Tara gets loud with him. The trooper shoots Tara with some kind of non-lethal, futuristic laser gun that knocks her temporarily out.
Much Ado About Warlow
Right before Jason leaves the group, Nora glamours him into telling her what he knows about Warlow — that he killed his parents and also showed up in Sookie’s bedroom floating in the air that one time. After Jason comes to and angrily heads into the night, Nora informs Eric that Warlow is in book of Lilith, and is one of Lilith’s progeny.
A strangely attired, grey-haired gentleman picks up the hitchhiking Jason. Jason is stupidly trusting, as per usual, but I immediately suspect that this could be Warlow. Jason tells Maybe-Warlow that maybe he was too hard on Sookie. Maybe he should stop listening to what the hallucinations of his racist dead parents tell him. “You cannot keep Warlow away from Sookie,” the old man thunders. When Jason asks how the man knows Sookie’s name, all is made clear. The man is Warlow, and as Jason tries to shoot him with a wooden bullet he vanishes into thin air.
It wouldn’t be a "True Blood" season-premiere without at least one dead body. Sam, Luna and Emma try to escape the Council compound, but Luna is just too weak. She begs Sam to promise to care for Emma, gasping for air, and dies as he agrees to do so. Sam takes Emma to Merlotte’s, where Lafayette informs them that footage of Luna shapeshifting into Steve Newlin is all over the news. Sam lets Lafayette take Emma into the kitchen for a snack while he figures out their next move.
Early on in the episode, Sookie tells Jess that she will always love Bill. She reminisces: “Bill was my first everything. Loving him is just in my blood now.”
That love doesn’t seem to have much impact on the still-very-present romantic tension between Sookie and Eric. As the two stand on Sookie’s porch discussing the implications of Billith, Sookie reminds Eric that Bill can always find her if he wants to. She drank all that blood of his. Eric shyly shares that he never expected Sookie to save him over Bill. To him, she’ll always be that girl in the white dress who walked into his bar. AWWWWW.
He walks her into her house, where she thanks for him for taking her home. Eric then asks for pen and paper, and dramatically punctures his wrist with the pen. He tells Sookie he’s giving her back her home. He’ll put the deed (written in his blood) in the mail. He warns her to stay away from Bill. She says she will, and that she wants to be that girl in the white dress again. She wants her life back. Which is why she’s rescinding Eric’s invitation to her house. After Eric is thrust outside, they stare at each other longingly through the glass-paned door. These two aren’t finished with each other just yet, methinks. “
Nora is sitting on Sookie’s porch, waiting for Eric. He tells her that Sookie is to be kept out of what is going on, and that they are to stay away from her. Nora gloats that he is in love with Sookie and she’s found his weak spot. Eric warns her not to “stir this pot,” guaranteeing that she will do exactly that.
All in all, it was a packed first episode and offers a few different tangents to be pursued this season. Still, I’m left a little cold. Gone are the days where an episode concludes with an image that just rattles my brain. Instead, it seems like we’re in for more of the same campy melodrama minus the real feels. I’m not giving up on "True Blood" just yet, but we’re going to need to meet some new characters quickly to spice Bon Temps up again.
‘Til next week!