Young buck. Buck wild. Make a buck. Buck the system. The buck stops here.
"Buck" stops here.
In his office at Morgan State University, MK Asante, the youngest professor ever to receive tenure at the school, is reflecting upon his teen years in the city he calls "Killadelphia, Pistolvania," and that are chronicled in his acclaimed recent memoir, "Buck."
"Buck" never was his nickname. Asante chose the title because he lived through nearly every variation of that "short but loaded" word and acted them out in roughly the order they're presented above.
"At my core, I'm a rebel," the 31-year-old Asante says. "What I've done with my life is learn how to channel my rebellious spirit into something that wasn't self-destructive, something positive."
Between the ages of about 13 and 16, young Malo (Asante's nickname) watched his beloved elder brother go to prison and his parents divorce. His father moved out of the family home, and his mother battled mental illness. For a time, Malo lived on the streets. His best friend was murdered. He dealt drugs and ended up on the wrong side of a narcotics kingpin.
So great is the teen's peril and so lyrical and perceptive is the voice that's describing it that the memoir can make readers feel almost unbearably anxious. You want to reach through the pages, grab Malo by his shoulders and physically pull this mule-headed kid out of various roach-infested crack dens and into someplace safe and warm.
Miraculously, Malo rescued himself.
"When I was in college in the middle of all of these preppy kids, I never wanted to talk about my mom and brother," Asante says. "I pushed it out of my memory. It took me many years to realize that the stuff I was ashamed of actually was the source of my strength."
Once Asante got on track, there was no stopping him. His memoir was one of last year's sleeper hits. Essence magazine lauded him as "the voice of a new generation." He has appeared on CNN, NBC, CBS and the BBC.
This winter, he said, he was named a feature film fellow at the Sundance Institute, where he's working on turning "Buck" into a movie. This coming Saturday, he'll learn whether he'll receive an NAACP Image Award in the literary biography category.
His competition includes his mentor, the poet Maya Angelou.
"I'd love for him to win," Angelou said in a telephone interview.
"I think he's brilliant. There are artists who've been given great gifts but who don't bother to hone, polish and then share them. Mr. Asante works very hard at his art without letting people know he's working hard."
Asante's boss, Morgan State President David Wilson, said the professor's analytical skills match his poetic gifts. He admires Asante's nonfiction book, "It's Bigger Than Hip-Hop," which was released in 2008 when the author was in his mid-20s. Asante used the music to examine larger social and cultural issues.
"In my estimation, Professor Asante will become to his generation what Skip Gates was to my generation," Wilson said, referring to the scholar and literary critic Henry Louis Gates. "He's well on his way to becoming a household name both nationally and internationally."
What's terrifying about "Buck" is the speed with which a solidly upper-middle-class family can collapse.
Asante's father is Molefi Kete Asante, who went from picking cotton in Georgia to becoming dean of the College of Liberal Arts at Philadelphia's Temple University. He's known widely as the father of Afrocentrism, or an African-centered view of history and culture.
Kariamu Welsh, Asante's mother, went from scrubbing toilets at age 8 for wealthy Long Island families to become a Guggenheim fellow who served as founding artistic director of the National Dance Company of Zimbabwe. She is on Temple's Dance Department faculty.
The family lived in a big brown and white Tudor house in a quiet, residential neighborhood, and the boys attended private schools.