John Williams has won just about everything there is to win in the music industry, including a slew of Grammys, Golden Globes, Emmys and no less than five Academy Awards — his record of 48 Oscar nominations is second only to Walt Disney.
If the 81-year-old composer, whose career encompasses the campy mid-'60s vintage TV series "Lost in Space" and last year's sobering, soaring movie "Lincoln," wanted to rest on his comfy stack of laurels, no one would blame him.
But Williams remains as busy as ever with film projects, commissions for concert works and conducting gigs. One of the latter will find him in town Tuesday to lead the Baltimore Symphony Orchestra in a benefit concert for the musicians' pension fund.
"Two years ago, [BSO music director] Marin Alsop wrote me and said, 'Please come to do a concert in Baltimore.' It took a while, but we finally worked out a date," Williams said. "I know it's a great orchestra, and I look forward to meeting the musicians. I like the rehearsal more than the concert sometimes."
The fundraiser marks Williams' BSO debut and his first trip to Baltimore. He is donating his services for the event.
"This is one of a group of concerts I've done like this around the country and will continue to do," he said. "We have the best orchestras in the world, and all of them need support. Maybe in some small way I can be of help to them."
That help comes at a good time for the BSO, which has run into deficits after years of balanced budgets, due, in part, to increased pension costs.
Tuesday's program features excerpts from some of Williams' most familiar film scores, including "Star Wars," "Close Encounters of the Third Kind," "Harry Potter," and "E.T. the Extra-Terrestrial."
"It is a thrill and an honor to have him come here to do this concert," said the orchestra's principal trumpet, Andrew Balio. "We need more people like this to go to bat for us. He can come back every year as far as I'm concerned."
The Long Island-born, Juilliard-trained Williams gained conducting experience not long after he started working in Hollywood in the late 1950s, composing and playing piano.
"I started conducting only out of self-defense," he said. "I felt I could get what I wanted [with my music] more quickly than some conductors working in the film studios. I certainly never had an ambition or studied to be a public performer as a conductor."
But Williams turned out to have a knack for it. His talent was noticed inside the studios and beyond.
After the death of longtime Boston Pops music director Arthur Fiedler in 1979, the orchestra offered the post to Williams. He took the helm in 1980 and enjoyed a 14-year run in the job.
"I felt that nobody could successfully succeed Arthur Fiedler, and some professional conductors might actually damage his or her own career by trying," Williams said. "I had nothing to lose, and I could gain the joy of experiencing a live audience, which we don't have in the studio."
Along the way, Williams also found time to compose music for the concert hall. He has written several concertos, including one for cellist Yo-Yo Ma and the Boston Symphony. One of his newest pieces, "For The President's Own," was composed for the 215th anniversary of the U.S. Marine Band, which premiered it last week at Wolf Trap.
At his California home, Williams continues to balance film and concert work.
"There is a considerable amount of material in front of me for the next few years," he said. "There are two or three projects for Steven Spielberg — very exciting things he's doing, some in development now. And a new 'Star Wars' [Episode 7] looms. I'll have to do my sit-ups."
That the composer has been an integral part of the epic "Star Wars" phenomenon since 1977 says a lot.
"After the first one I did with George Lucas, I did not have any idea there would be a second," the composer said. "We all thought kids would enjoy it for a couple of weekends and go on."
Williams seems to have little trouble maintaining energy or avoiding writer's block.